Hi readers, I’m about to make a trip to Europe! Just looking for your suggestions on what to see while I’m in the aforementioned cities! Any input is greatly appreciated, please reply to this, or just send me some mail with your suggestions. What are your thoughts?

-Evolved Male

Please note that this article is written from the perspective of a female. Original article is here:

http://www.hercampus.com/love/dating-hooking/more-friendship-less-relationship-youre-flirtationship

It starts out innocently enough, doesn’t it? A coy smile here. A wink there. A couple of drinks out at the bar and a hug that’s kept going for just a second too long. No, this isn’t a Friday night date with that cutie from class. It’s your guy friend. We’ve all had those fun, flirty first date feelings: those butterflies-in-your-stomach, goose-bumpy feelings. But what if you had those feelings for a friend? A guy you know really well? Like, your old friend from high school or that guy who lives down the hall in your dorm?
 
I’m talking about flirtationships–that tricky in-between stage when you regularly flirt with a guy friend but for one reason or another, you do nothing more than that. Flirtationships can be fun and silly, but they can also get awkward really fast (and potentially mean bad news for having a real relationship with that guy). So how do you navigate this tricky territory? This guide will give you the rules to live (and flirt) by.  And with some advice from Julie Spira, best-selling author and the Cyber Dating Expert, and stories from real collegiettes, you can take charge of your flirtationship.
 
So, what’s a flirtationship?

Spira breaks it down to the basics for us. “A flirtationship is that fun and flirty in-between place of being just friends and without claiming that you’re in a relationship,” Spira says. “More often than not, it does become a romantic relationship. It’s a friendship filled with flirting.”

How do you know that you’re in one?

“Hey, are you and so-and-so dating?” If you get this question a lot, along with raised eyebrows and winks from your mutual friends, chances are you’re in a flirtationship.
 
Flirtationships typically develop in one of two ways: they can grow into a romantic relationship or revert back to a friendship. Or (worst-case scenario) they can fall apart completely, leaving out the idea of a possible relationship and the friendship too awkward to fall back on.

So are there any pros to a flirtationship?

It sounds like flirtationships can get emotionally complicated, and they can. But sometimes, they can be an easygoing alternative to a relationship.
 
Rachel, a senior at New York University says that her flirtationship with a longtime guy friend Hunter means having someone to depend on.
 
“Hunter is always someone I can rely on to listen to me when I need to talk out something,” she says. “The thing with friends is they’re always there for you. It’s sort of like having a boyfriend, but without having to worry about him judging you.”
 
And as Tammy, a junior at Boston College says, a “no strings attached” flirtationship can be the best of both worlds in the dating scene. “There’s no real commitment involved,” she says. “What’s great about a flirtationship is that you can still date around with whoever you want without the drama of being ‘attached’ to someone or  people calling you a cheater.”
 
A flirtationship, much like a friends with benefits situation, means having all the benefits of a relationship without the obligations. You don’t feel obligated to spend money on date after date or have the awkward meet-the-parents dinner to please your partner in a flirtationship. You can save your weekend nights for clubbing with the girls and splurge on those to-die-for heels you just hadto have.

Can this hurt my friendship?

Like any gamble, in a flirtationship, you run the risk of ruining the friendship.
 
“It starts off really simple, light, easy, fun and uncomplicated,” Spira says. “And as soon as one person has more feelings than the other or as soon as one person meets someone else and moves into a relationship, all the rules change and someone can get hurt.”
 

Say you meet a new cute guy and say this guy asks you out. If the guy you’re in a flirtationship with had feelings for you, this could cause jealousy between the two of you as friends. The same thing can happen if you saw the flirtationship developing with your friend and he started a committed relationship with a new girl. Jealousy is the number one cause of destroyed friendships that developed into flirtationships, according to Spira.
 
“The number one way a flirtationship can hurt a friendship is if all of a sudden with all of this flirting foreplay you get this false sense that you’re in a relationship and maybe one person wants to be in a relationship with that person,” she says. “They wake up one day and they say, ‘Wow I really have feelings for this person. I’d like to take it to the next step.’ If the other person doesn’t feel the same way, then you basically run the risk of losing the friendship.”
 
Collegiettes in flirtationships agree. “I have found that they never work. Either they want to be more than friends or don’t act the same way back,” says Heather, a freshman at the University of Arizona. “I have found that on the rare occasion that it does work out I was starting to develop a relationship with another guy. They might work out for other people but for some reason they just don’t work out for me!”
 
Kerry, a senior at Hofstra University, found herself in a dire dilemma when her flirtationship with a taken guy went a little too far.
“My good friend Paul used to live in a house off-campus with me – directly next to my room. He’s had a girlfriend for four years and he’s incredibly loyal to her except for this flirtationship we’ve established. We’ve kissed a few times and I’ve slept in his bed without taking any further steps than that (though we’re usually pretty physical and affectionate with each other). I know it has a lot to do with sexual tension and repression on his end considering that his girlfriend lives hundreds of miles away from him… but we definitely have fun with each other. It’s a mutual understanding that this is just how our friendship works, but I do know that his girlfriend would be devastated if she knew how we act around each other.”
 
So far, it hasn’t ruined her friendship with Paul, but she cautions collegiettes that flirtationships are definitely “dangerous territory.”
 
“When his girlfriend came to visit in December it was so awkward,” she says. “We always hug each other so when she was around I had to monitor my behavior to avoid any trouble.”
 
The worst case scenario can happen when the whole flirtationship falls apart. If it all falls apart, not only do you lose the chance of that perfect boyfriend, you lose the chance of keeping him as a friend.
 
Emma from Mount Holyoke College found herself in this situation. “I’ve had a few flirtationships, and they were entertaining, but I went too far when I accidentally got into one with my best guy friend,” she says. “We had previously considered dating, but decided against it because we thought it would damage our friendship. I started texting him and we flirted for a month or so. When I got home for break, I realized what a mistake I had made, because we both were being flirty, yet expecting more to come of it, and it didn’t work out so well. We haven’t spoken in two months.”
 
“So beware!” she warns. “They are fun if you’re not close to the guy, but if you value the friendship, don’t get into a flirtationship with them.” 
 
So is a flirtationship worth it?

Despite how complicated a flirtationship can be, Spira says they can be healthy. A close flirtationship with a guy can even turn into the best relationship.
 
“Some of the best relationships start off with humor and wit and joking,” she says. “Anyone who is looking for love, is looking for someone who is smart and funny, someone who has a great sense of humor. It’s like the first phase of what attracts someone to another.”
 
Whatever the reasons are behind the flirtationship, Spira says that there are some common sense boundaries you should never cross, like don’t become too emotionally attached and never keep up a flirtationship with a guy who is in a relationship. This avoids hurt feelings on either side. But with a flirtationship, you can be single and available. You can be single and bro-down with as many guy friends as you want. You can be flirty as friends, as long as you don’t hurt him in the process. Or more importantly, hurt yourself.

Original article is here:

http://www.artofmanliness.com/2013/04/24/style-pyramid/

My favorite tool for selecting clothes that look good on you is the Style Pyramid.

It’s a simple three-step rubric: Fit, Fabric, and Style.

A piece of clothing that doesn’t meet all three criteria is a piece of clothing you’re better off not wearing.

• Fit sits at the top of the pyramid. Everything else comes from it. If a garment doesn’t fit well, none of its other characteristics matter — it’s not going to look good on you. Fit should always be your first stopping point when you consider a purchase.

• Fabric is key in determining the quality of a piece of clothing. If you’re not satisfied with the raw material, you’re not going to be all that satisfied with the finished product. It’s less of an absolute barrier than fit — you can have many degrees of quality, whereas fit mostly breaks down into “good” and “bad.” That said, fabric is still a crucial consideration.

• Style is about your own personal taste and the image you want to present. If something fits and is well made, but doesn’t give you the look you want, it’s still not a good purchase.

Work your way through the pyramid in this order when you’re thinking about buying clothes. If something doesn’t fit, stop there. If it fits, but it seems cheaply made, skip it. And if it fits and is of good quality, but doesn’t feel right for your style, wait for something more suited to your tastes.

When all three intersect — then it’s time to buy.

Fit

Fit is at the top of the pyramid for a reason.

The way your clothes sit on your body affect the way they look to others more than anything else about them.

Most men wear a suit that is two sizes too large. Fit matters – a lot.

Now, that doesn’t mean that you can look sharp-dressed in totally inappropriate clothes just because they fit well. A custom-tailored banana suit is still a banana suit. But it does mean that the best suit in the world can look awful on someone it’s not fitted for.

Think of it as the ultimate fashion triage: does the item in question fit your body? If not, skip it.It’s not worth wearing, no matter what its other merits might be.

The most general guideline for a good fit is that it should sit close to your skin without pinching or constricting. You shouldn’t feel the cloth tugging when you move around, but you also shouldn’t have any loose billowing or sagging.

In general, you should always be able to slip one or two fingers between the clothing and your body. But, every piece of clothing is a little different, so we’ll take a look at how to get the perfect fit for each item separately.

Notice there is no billowing around the waist – beware the muffin top!

Shirt Fit

We’ll assume a collared shirt here so that we cover all the bases, but these guidelines work fine for T-shirts and other non-collared shirts as well. The only real difference is that a shirt you’ll be wearing untucked can be a little looser around the stomach and waist without it being noticeable.

• The shirt collar should rest on your neck but not pinch it. In the case of a dress shirt, this should be with the collar button fastened, as if you were going to wear a necktie. If you can’t do that without feeling constricted, or if there’s a gap between the cloth and your neck, the fit is off.

• The shoulder seams should end right where your shoulders do — the point where the vertical plane of your bicep intercepts the horizontal plane of your shoulder. If they don’t reach all the way, or if you’ve got part of the seam hanging down your bicep, it’s a no-go. This is a tough one for a tailor to adjust, so if the shoulder fit isn’t good to begin with, it’s usually not worth buying.

• The cuffs should be long enough to cover the large bone in your wrist (the one directly above your pinky finger). If it’s shorter than that it won’t show properly beyond a suit or sports jacket sleeve. A straight sleeve or a slightly tapered one are both fine; the taper gives a better fit for most men.

• The hem should fall at least three or four inches past your waist so that it can tuck in completely. If it has “tails” in the front and back, rather than an even hem, make sure the points at the side where the tails come together can tuck in, as well as the longer tails in front and back. You need the whole shirt to tuck, not just the longest parts.

• The waist is where a lot of guys are wearing too much cloth. If your torso tapers, your shirt needs to as well. “Slim fits” can help with that, and it’s a relatively minor adjustment for a tailor to take the shirt in as long as there isn’t too much excess fabric. Get as close a fit as you can manage off the rack and then take it to a tailor if you need more.

Very tall or very short men also need to keep an eye on proportion. It’s easy for a breast pocket to wind up too far up or down your chest, or for a collar to be too short for your neck, especially when you’re having things adjusted. Keep an eye on the details and make sure none of them are “floating” too far from where other men are wearing theirs.

Jacket Fit

A jacket gets a little more space off the body than a shirt, but not much. You’re still trying to avoid gaping open spaces, billowing or hanging cloth, and anything tight enough to pinch or pull.

• Shoulders, like with shirts, have to be well-fitted to begin with. They can’t be adjusted, generally speaking. Like the shirt, the seam should end right where your shoulder does, not before the turn or hanging over it.

• The chest is usually the only numerical measurement for off-the-rack jackets. If it’s taken right, the lapels of your jacket should rest comfortably on your shirt front when you stand, with just enough slack that you can slide a hand into the inner pocket. If the lapels are hanging far enough forward that there’s visible space between the shirt and the jacket in your natural resting pose, it’s too loose.

• The waist affects how the buttons close. They should fasten without any tugging or pressure on the button (it not only looks better, but it’ll also save you buttons popping off). The buttoned sides of the jacket should rest on the shirt beneath them, with the fabrics touching.

• The sleeves should fall just a bit shorter than your shirt sleeves. “A half-inch of linen” is the traditional phrase, but in practice it can vary a bit, so long as the shirt is visibly longer than the jacket you are just fine.

• Length should be at least enough to fall past the curve of your buttocks, rather than resting above it.

Your big warning signs with a jacket are flapping around the lower part, gaps between the jacket and your chest, and of course, any tugging or tightening when you move. Tightness in the arms or sides can also show up as wrinkles where the fabric is pinching.

Notice the crotch doesn’t extend down to the middle of the thighs – and the material near the cuff isn’t overly bunched.

Trouser Fit

It’s good to have your shirt and your jacket flat against your skin at most places, but your pants — for obvious reasons — need a touch more room than that. The problem is that most guys go too far and get more room than they need, going from “comfortable” to “saggy.”

• Length is pretty easy to judge; a good fit has the trouser legs ending where they just brush the tops of your shoes, or rest very lightly on them. This is why you need to bring nice shoes along with you when you go shopping. If you’re not touching the shoe leather at all or you’ve got a pile of bunched-up cloth resting on it, the fit is off.

• The waist should be tight enough that you can’t pull the pants all the way off without unbuttoning/unzipping the fly. If it’s digging in or bunching up, it’s too tight. Aim for a fit in between those two. Make sure you’re fitting the waist where you want to wear it — on slacks, that should be up above the hips, at the natural waist. Jeans can be a touch lower, closer to the hips.

• The rise is the distance from the waistband to the place where the seams join in the crotch. It should be as close to your body as comfort allows. A little room for movement is obviously necessary, but a lot of men are wearing pants with two, three, even four or five inches of “sag” in the crotch. Get rid of that! You want enough room for everything you’ve got between your legs, and not much more.

• The seat can vary a bit from brand to brand. There’s no real numerical measurement for it, but it’s another place where you don’t want sag. A loose trouser seat makes your butt look big and soft. Find a brand that hugs your cheeks. You want just enough room that you can slip a wallet in comfortably.

Trouser styles can vary pretty widely, so take these as broad guidelines. Heavier-set men are going to want a little more looseness in the seat than skinny dudes. Just be sure you’re avoiding anything that’s uncomfortably tight or so big you can make the extra fabric sway by swinging your hips around.

Fabric

Judging the quality of fabric at a glance (or a touch) can be challenging.

Product information can sometimes help you here, but it’s just as often misleading — things like “thread count” can be measured in different ways, and some merchants are more honest about it than others.

Inspecting Fabric

In general, if all you have to go on is the actual garment itself, look for the following key qualities:

• 100% construction. If it’s cotton, it should be all cotton. If it’s wool, it should be all wool. A percentage point or two of synthetics may be fine (it’s common in “stretch” clothing, for example, and some wools will come with a small amount of synthetic blended in for mildew resistance), but if the blend goes much lower than 95% base material, it’s probably cheap fabric.

• Appropriate weight. This can vary. If it’s a summer shirt, the weave should be loose and made from fine threads. If it’s a three-season suit, it should be made from sturdy wool, and you should be able to feel the weight in your hands. Avoid anything that seems flimsy, especially in trousers and jackets. You want those to have enough heft that they drape smoothly when you wear them. Too light and they’ll wrinkle and billow.

• Even weave. Check for little knots or imperfections in the surface of the cloth. You don’t want those little bumps, and you definitely don’t want holes or snags. Not all fabrics are smooth — seersucker, for example, is going to be distinctly dimpled — but they should be even. If some bumps are bigger than others, or the spacing is uneven, you’ve got a problem.

Inspect and look for the details (such as a boutonniere latch on a jacket) – if they are there you can bet the manufacturer did right in places you can’t see.

Inspecting Construction

We say “fabric” because it’s convenient and easy to remember, but it’s worth taking a look at the rest of the construction as well. It’s less common for manufacturers to make shoddy clothing out of good cloth, but it’s not unheard of. Jeans are particularly common offenders; beware of “all USA” denim that’s then made into jeans in the Philippines or Malaysia or somewhere known for lower-quality goods.

Take a look at the details of the construction, whether it’s a fabric item or something as basic as a leather belt:

• Stitching is a good place to check for basic quality assurance. If there are loose thread ends or wobbly stitches, the garment probably wasn’t made with much care or checked very closely. You can safely expect that to result in a lower quality (and lifespan) overall.

• Hemming at the cuffs and edges are another good place to look for unevenness or imperfections. If the hem has wrinkles or folds in it, or is wider in some places than others, you’re not looking at a very well-made garment.

• Materials on the detailing are another good clue. Are the buttons Mother-of-Pearl or plastic? Are the zippers thick brass or flimsy plastic? Are the rivets (blue jeans) evenly-stamped and sturdy? Think twice before buying anything that cuts corners on those small details.

Buying Online

Most of the above tips are only useful when you can hold the garment in your hand. How do you check the fabric (and construction) quality when you’re buying based on nothing but a picture and a written description?

• Stick to brands you trust. If you can, try to avoid making first-time purchases of a brand online. Buying a pair of jeans from a company when you already know you like their quality is fine; buying just because you’ve heard good things is riskier. You could get lucky — but you could also get unlucky.

• Only buy from sites with good return policies. Look at both the refund/exchange policy and the shipping details. Full refunds with no questions asked are best. Free exchanges with the shipping labels included (so that you don’t pay the return shipping) are nearly as good. If the website doesn’t have either of those, you’re taking a chance on spending more money to return something that didn’t work out.

• Construction methods can take a little more research to understand, but it’s worth your time. If you’re buying shoes, know the difference between Goodyear and Blake construction. If you’re looking at jackets, know the difference between fused and unfused canvases, vented and unvented backs, and so on. When the only information you get about a product is a short description or a bullet-pointed list, you want to know what every term in there means.

Style

Style is the hardest of these three to define. Does the item say what you want it to? If the answer is yes, then it suits your style.

Wardrobe Interchangeability

Try to think about it in terms of your existing wardrobe. Look at the purchase you’re considering and imagine pairing it with the clothes you already own. If you can come up with a half-dozen different outfits, it’s a safe bet that it goes with your current style.

If you can’t think of any pairings, that’s not grounds for automatic rejection, but it does mean you should think hard about how you’d use the item.

It’s alright to break new ground — in a way, it’s ideal. We should all update our style from time to time. But do it realistically. If you’re going to leave it hanging in your closet for 360 days out of the year, it’s probably not a good investment.

Keep in mind, too, that some new styles may require you to purchase several items at once. Not a problem if you’re willing to do it — just be honest with yourself. Only commit to new looks that you’re pretty sure you’re going to wear regularly and confidently.

Style Upgrades

A good final question to ask yourself is, “Does this improve my look?”

Some of the best purchases are small, simple things that take your existing wardrobe and make it a little nicer-looking.

A new suit is great. But day to day it’s probably not going to make as much difference as, say, trading your Chuck Taylors for a pair of suede saddle shoes.

Not all style considerations are going to be major. They could be as basic as looking for a new buckle to put on an ordinary brown leather belt. Those little changes are often the biggest bang for your buck in terms of improving your look. Put enough of them together and suddenly you’ve got a “personal style” — without having to buy a whole new wardrobe for hundreds of dollars.

Conclusion

The three-step style pyramid is deliberately simple.

You’re going to have more choices, more questions, and more decisions to make than this overview gives you. But it’s a good starting point — and, more importantly, it’s a good stopping point.

If something fails one of these three basic tests, you probably don’t want it in your wardrobe. So always ask yourself:

• Is the fit good?
• Is the fabric decent?
• Does it suit my style?

If you’ve got a “no” in there anywhere, skip it. There’ll be better clothes some other day.

Original article is here:

http://ca.askmen.com/money/how_to/57_how_to.html

Laughter is the best medicine and a great icebreaker for a first date, as a sense of humor is as the number one turn-on for many women. But it’s one thing to have a great sense of humor, it’s quite another to have everyone in stitches. 

Chill out

Okay, the first thing you need to do is relax. No one’s going to throw tomatoes at you if you strike out, and you’re not going for some life-altering test. You just want to add some spice to your life and conversations, and appear more easygoing. 

So don’t put so much pressure on yourself — you just want to get people to laugh, or at least smile.

Don’t take things seriously
Ease up on life and yourself; get used to taking things with a grain of salt. See the humor in situations; you’ll see that most situations, even getting a $200 dollar speeding ticket or falling down on a banana peel have humor written all over them — the trick is finding them and being able to laugh at yourself.

Be pop culture savvy
You can’t be funny if you don’t have any references or material. The broader your general knowledge is, the funnier the remarks you’ll make. You can’t say a Homer-esque comment if you don’t know who The Simpsons are, and Allllrrriiighttty then! doesn’t have the same effect if you’ve never seen Ace Ventura: Pet Detective .

So the more you know film, TV, music, and everything pop culture, the greater the chance of being funny. Broaden your horizons and stay up-to-date with current events in the news, and you’ll be surprised at how much material will randomly come to you. You may even get to be someone’s lifeline on Who Wants to be a Millionaire? .

Don’t imitate others 
You want to know about famous actors and comedians, but by the same token, you don’t want to get caught using someone else’s material. So rather than reciting that great Chris Rock line you heard the other night and passing it off as your own, use the joke in Chris Rock’s intonation. That way, people know you’re using his joke, and it can still be considered hysterical.

Or, if you’re stuck waiting in a department store line with your buddy for 45 minutes, and when you finally get to the cash, the cashier just refuses to let you return a sweater that has a defect on it, say something like, “This is such a Seinfeld situation,” thereby giving Jerry credit while getting a laugh or two.

Find your style
Another reason to avoid imitating actors and comedians is because it may not suit your style. If you’re not a very sarcastic or cynical person, it makes it hard to imitate someone like David Letterman or Chandler from Friends (besides, your friends will get annoyed when you keep saying, “Could this BE more [fill in the blank]?”). If you’re rather quiet and subdued, it’ll be nearly impossible to take on Robin Williams’ or Jim Carrey’s humor.

You can always take bits and pieces of others’ humor, but you’ll want to adapt your shtick to your own style and personality — in turn, this’ll be easier for you and sound more genuine as you won’t have to try as hard.

Have a joke pool
You never know when a situation calls for a joke, like if you’re at a lame party, chatting with some acquaintances. This is where a reserve of jokes can come in handy. Humor yourself with a joke a day to take a break from your daily tasks, and keep the ones you like best in mind. That way, you’ll always have several in stock for when the time is right.

Of course, you don’t want to break into your best “A rabbi, a priest and a nun walk into a bar…” joke in the middle of a conversation with your manager, but you’ll know when to resort to your pool. One-liners and witty comments are the best to have, as they can be used in many contexts.

Know your audience
There’s a time and a place for everything, and just like you need to know your audience when giving a speech, you need to know whom you’re delivering a joke to. This said, save the dirty jokes for your friends, and the witty comments for your girlfriend’s parents.

Get your delivery and timing right
Being funny isn’t only about telling great jokes; it’s all in your mannerism, attitude, how you project yourself, and your delivery. Be animated and alive when you speak, and you can make any story funny.

Make eye contact with people, speak with confidence, and everyone will want to hear your stories. On the other hand, if your humor is more dark, sarcastic, or neurotic (a la Woody Allen, Steven Wright and George Costanza), then play the part and talk in a monotonous voice. Your delivery has to go with your humor, and if your timing is off, then it can ruin the entire joke.

Use people as props
You’re not Carrot Top so drop the props. Rather than using objects as props, use people (I didn’t say to use people as the butt of your jokes). What always gets a rise out of the ladies is trying to sell things to strangers on the street, like selling your wallet to an old lady. Or start talking to your invisible friend — just make sure others know you’re kidding around and haven’t gone crazy.

Don’t worry about bombing
Your goal isn’t to strike a 10 on the Laugh-o-Meter, and every great comedian bombs every now and then. So don’t worry if no one gets your joke — just ignore it or laugh at yourself, and whatever you do: do not delve into your bag of jokes and continue trying to make everyone laugh — you don’t want to try too hard.

Develop your own persona

Smiling is infectious, so if you smile a lot while talking, it’ll encourage others to laugh.

• Be animated and energetic when you’re telling a story, it’ll make your stories more interesting and captivate listeners.
• Be blunt; this usually takes people by surprise and can end up being pretty funny.
• Make sure your timing is right.
• When telling a joke, don’t laugh before the punch line.
• Be creative. It’ll inspire you to be funny.

Remember, you don’t need to be the life of the party; being funny is just a great asset as it makes you look easygoing and approachable, helps you handle certain awkward situations, makes you more sociable, and is a great turn-on to women.

But while you want to be funny, you don’t want to be the office clown. If you’re typecast as the joker no one will ever take you seriously, so know when to be funny and when to be serious, or the joke will be on you.

Original link: http://www.forbes.com/sites/jessicahagy/2012/02/28/the-six-enemies-of-greatness-and-happiness/

The Six Enemies of Greatness (and Happiness)
These six factors can erode the grandest of plans and the noblest of intentions. They can turn visionaries into paper-pushers and wide-eyed dreamers into shivering, weeping balls of regret. Beware!

 1) Availability

We often settle for what’s available, and what’s available isn’t always great. “Because it was there,” is an okay reason to climb a mountain, but not a very good reason to take a job or a free sample at the supermarket.

 2) Ignorance

If we don’t know how to make something great, we simply won’t. If we don’t know that greatness is possible, we won’t bother attempting it. All too often, we literally do not know any better than good enough.

 3) Committees

Nothing destroys a good idea faster than a mandatory consensus. The lowest common denominator is never a high standard.

 4) Comfort

Why pursue greatness when you’ve already got 324 channels and a recliner? Pass the dip and forget about your grand designs.

5) Momentum

If you’ve been doing what you’re doing for years and it’s not-so-great, you are in a rut. Many people refer to these ruts as careers.

6) Passivity

There’s a difference between being agreeable and agreeing to everything. Trust the little internal voice that tells you, “this is a bad idea.”